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Zack Stanton: Echoes of Veiled Light, chamber music (2020)
Echoes of Veiled Light, 21st century chamber music
01 Trio, for horn, viola and harp (2016) - I. Prelude 02 Trio, for horn, viola and harp (2016) - II. Lament 03 Trio, for horn, viola and harp (2016) - III. Toccata-fantasy 04 Stompin' Grounds, for clarinet and double bass (2013) 05 Echoes of Veiled Light, for percussion trio (2009) 06 Imagined Conversations (2017) - I. Ponderous and yearning 07 Imagined Conversations (2017) - II. Still and tender 08 Imagined Conversations (2017) - III. Frenetic and exuberant
01-03 Anne-Marie Cherry horn, Alexander Hettinga viola, Colleen Potter Thorburn harp 04 Sarunas Jankauskas clarinet, Mark Foley double bass 05 Line upon Line (percussion trio) 06-08 Jesse Cook trumpet, Edward Neeman piano
Zack Stanton is an active and versatile composer, with a catalog that includes works for orchestra, wind ensemble, choir and chamber ensembles. His music has been performed throughout the United States and abroad with great success. Stanton received First Prize in the International Horn Society Composition Contest for his Trio for Horn, Viola and Harp and the Sanibel-Captiva Trust Prize in Choral Composition for Before You Kissed Me. His Concerto for Piano and Wind Ensemble received Honorable Mention in the Frederick Fennell Competition, sponsored by ASCAP and the Concert Band Directors National Association. Stanton’s orchestral works have been performed by the Conway Symphony Orchestra, University of Texas Symphony Orchestra and Austin Symphony Orchestra. Recent commissions have come from pianist David Gompper, oboist Courtney Miller, bassoonist Benjamin Coelho, trumpeter Jesse Cook and horn player Anne-Marie Cherry, and from the University of Georgia, Millikin University Percussion Ensemble and line upon line percussion. Also active as a performer, Stanton served as a pianist and conductor for the University of Texas New Music Ensemble, for which he served as Assistant Director for four years. Currently, he assists as a conductor with the Center for New Music at the University of Iowa. Stanton, who received his Doctor of Musical Arts in composition from the University of Texas at Austin, is currently Lecturer of Composition and Theory at the University of Iowa. Prior to his appointment there, he taught at Belmont University and the University of Texas at Austin.
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