1. Robert Johnson (ca. 1583–1633): Care-charming sleep (1614)

2. John Coperario (1570/80–1626): Go, happy man (1613)

3. William Lawes (1602–1645): Whiles I this standing lake (1635)

4. Martin Peerson (1571/73–1650/51): O precious time (1620)

5. William Lawes (1602–1645): Music, the master of thy art is dead (ca. 1638)

6. Nicholas Lanier (1588–1666): No more shall meads (1669)

7. Robert Ramsey (?–1644): Go, perjured man

8. Matthew Locke (1621/23–1677): Pavan in C (1656)

9. Robert Ramsey (?–1644): Howl not, you ghosts and furies

10. John Banister (1624/25–1679): Give me my lute (1679)

11. William Lawes (1602–1645): Britanocles the great and good appears (1638)

12. Applause (first part of concert ends)

13. Matthew Locke: Air und Courante (aus: Consort of Four parts, Suite Nr. 1, 1656)

14. William Webb (ca. 1600–1657): Powerful Morpheus

15. John Hilton (1599–1657): Rise, princely shepherd (ca. 1640/50)

16. James Hart (1647–1718): Adieu to the pleasures (1675)

17. John Banister: Amintas (1675/76)

18. George Jeffreys (ca. 1610–1685): Felice Pastorella (ca. 1660/1669)

19. John Blow (1648/49–1708): Poor Celadon, he sighs in vain (1700)

20. Henry Purcell (1659–1695): When Orpheus sang (1689)

21. John Jackson (?–1688): Phillis, oh! turn that face (1675/76)

22. John Blow (1648/49–1708): Sing, sing, Ye Muses (1700)

23. Applause